Tithi in Panchang – Hindu Calendar on Wednesday, September 16 2026 – It is Shukla Paksha Panchami tithi or the fifth day during the waxing or light phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Panchami tithi or the fifth day during the waxing or light phase of moon till 8 :57 AM on September 16. Then onward it is Shukla Paksha Sashti tithi or the sixth day during the waxing or light phase of moon till 10 :28 AM on September 17. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on September 16, 2026 as per Hindu Calendar – Good and auspicious time after 5:21 PM.  Nakshatra  – Vishaka or Vishakam nakshatra till 6:29 PM on September 16. Then onward it is Anuradha or Anuzham or Anizham nakshatra till 8:42 PM on September 17. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north...

Hara and Hari — How Hinduism Resolved the Greatest Conflict of Human Life Sanatana Dharma is unlike the Abrahamic faiths in a fundamental way. It does not merely prescribe rituals or demand obedience to a singular doctrine. It is, at its heart, a profound psychological and philosophical framework — a living guide for how to navigate human existence with clarity, purpose, and inner peace. Nowhere is this wisdom more elegantly expressed than in the complementary symbolism of Shiva and Bhagavan Vishnu, known devotionally as Hara and Hari. These two supreme presences do not compete. They complete each other. The Hermit and the King Shiva is the great ascetic — Mahayogi. He sits in deep meditation on the icy heights of Kailasa, smeared in ash, matted hair coiled high, eyes half-closed in inward absorption. The ash he wears is not mere ritual decoration. It is a reminder that all material forms return to ash, that the world of appearances is transient. Shiva has seen through the veil o...

King Poushya And Utanka And Their Curses in Adi Parva of Mahabharata The Poushya Parva, a section within the Adi Parva of the Mahabharata, narrates the journey of Utanka, disciple of the sage Veda, as he sets out to fulfil his Guru Dakshina. His teacher's wife had asked for a specific pair of earrings belonging to Queen Sushobhana, wife of King Poushya. This single quest becomes a doorway into several other episodes of the epic, showing how one man's errand can weave through serpents, celestial beings, and royal courts. The incident at King Poushya's palace, though brief, carries a dense teaching on cleanliness, anger, hospitality, and the difference in temperament between a Brahmana and a Kshatriya. The Incident of the Unclean Food Having received the earrings, Utanka prepared to leave at once. King Poushya, however, felt that a guest of such learning and character deserved a proper Shraddha, a ritual offering of food performed with reverence. This reflects the old househo...

Beyond the Namam: The Sacred Secret Hidden in the Eyes of Balaji Venkateshwara At the heart of the Tirumala hills, in one of the most visited sacred sites in the world, stands Bhagavan Venkateshwara — the presiding deity of the Tirumala Tirupati temple, also lovingly called Balaji or Srinivasa. Millions of devotees climb those sacred hills every year, their hearts full of devotion and their lips chanting His name. Yet when they finally stand before Him, their eyes are drawn to something unusual — a strip of Namam, the sandalwood-and-saffron paste, partially covering the eyes of the deity. Why are those divine eyes partially veiled? The answer, as with most things in Sanatana Dharma, operates on multiple levels — ritual, symbolic, philosophical, and deeply personal. What Is the Namam and How Is It Applied The Namam is the vertical mark associated with the Vaishnava tradition. It represents the feet of Bhagavan Vishnu, and its application on the forehead, chest, and other parts...

Parashurama Kalpasutra Chapter 8 - The Path of Divine Valor: Understanding Parakramah in Srividya Practice The eighth chapter of Parashurama Kalpasutra, titled "Parakramah" (Divine Valor), stands as a cornerstone in the comprehensive system of Srividya worship. This sacred text, compiled by the revered sage Parashurama, represents one of the most authoritative treatises on the worship of the Divine Mother in her aspect as Tripurasundari Lalita. The twenty-eight sutras contained within this chapter offer profound insights into the advanced practices of tantric worship, emphasizing both the outer rituals and inner spiritual transformation. The Sacred Foundation of Parakramah The term "Parakramah" itself embodies the concept of divine courage and spiritual valor required to approach the Supreme Goddess. This chapter acknowledges that the worship of Parashakti demands not merely devotion, but also the inner strength to transcend conventional limitations and embrace t...

Nagini — Sacred Feminine of the Serpent Realm in Hindu Art and Scripture Among the many fascinating divine beings that populate the vast universe of Hindu sacred art, Nagini holds a place of singular beauty and spiritual depth. She is the feminine counterpart of the Naga, the divine serpent being revered across Hindu, Buddhist, and Jain traditions. In Hindu temple sculpture, Nagini appears as a graceful, adorned figure — part woman, part serpent — embodying the primal energies of creation, protection, fertility, and cosmic wisdom. Far from being a decorative motif, her presence on temple walls, doorways, and pillars carries layers of theological meaning rooted deeply in Hindu scripture and philosophical thought. Forms and Iconography Nagini is depicted in several distinct iconographic forms. In her most anthropomorphic representation, she appears as a fully human woman of remarkable beauty, richly ornamented with jewels, her serpentine nature suggested only by subtle symbols. In he...

The Eternal Dance of Time: Understanding Avastha Parinama in Hindu Philosophy Time, in Hindu philosophy, is not merely a linear progression but a profound transformative force that shapes existence at every moment. Among the various concepts that explain the nature of change and transformation, Avastha Parinama stands as a fundamental principle that illuminates how temporal modifications occur within the unchanging essence of reality. The Nature of Avastha Parinama Avastha Parinama, literally meaning "transformation of states," represents one of the three primary types of change recognized in Hindu philosophical systems, particularly in Samkhya and Yoga philosophies. While the term 'lakshana' technically refers to the characteristic marks of time-based change, Avastha Parinama specifically addresses how objects and beings undergo modifications in their temporal states while maintaining their essential nature. The classic example of clay transforming into a pot ill...

Pancha Kritya — Shiva's Five-Fold Cosmic Function in Shiva Purana The Shiva Purana is one of the eighteen Maha Puranas of Hindu tradition, dedicated entirely to Shiva as the Supreme Reality. Among its several sections, the Rudra Samhita holds a central place, describing the nature, forms, and functions of Shiva. Within this Samhita, the doctrine of Pancha Kritya, the five sacred acts of Shiva, forms one of the most philosophically rich teachings. These five acts explain how Shiva governs the entire cycle of existence, from the birth of the universe to the liberation of souls. What is Pancha Kritya Pancha Kritya literally means "five actions" or "five duties." According to Shaiva philosophy, Shiva performs these five functions continuously and simultaneously, not as separate events in time but as an ongoing cosmic process. The five acts are: Srishti, the act of creation, where Shiva brings forth the universe and all beings into manifestation. Sthiti, the ac...

Prakasha and Vimarsha: The Dance of Consciousness and Energy at the Heart of Creation At the very heart of Srividya Tantra lies one of the most profound philosophical questions ever contemplated: What is the nature of existence itself? The answer, according to this ancient and sophisticated tradition, is not one but two inseparable principles — Prakasha and Vimarsha — representing the twin foundations upon which the entire cosmos rests. Together, they form the indivisible union of Shiva and Shakti, the eternal masculine and feminine poles of ultimate reality. Prakasha — The Light That Simply Is Prakasha, identified with Shiva, is pure, unbounded consciousness. It is without attributes, beyond form, beyond time, and utterly changeless. It does not act; it simply is. In the language of Vedanta, it corresponds closely to the concept of Chit — pure awareness — as described in the Mandukya Upanishad, which declares that the self is pure consciousness alone, the witness of all phenomena,...

Shani Dev and Neela: Iconography, Symbolism and Spiritual Meaning of a Rare Temple Depiction Among the vast and richly varied iconographic traditions of Hindu temple art, certain images stand apart for their rarity and depth of meaning. One such depiction is that of Shani Bhagavan, the presiding deity of the planet Saturn, shown seated in divine intimacy with his consort Neela. Found occasionally on the outer walls of temples — those liminal spaces where the cosmic and the terrestrial meet — these sculptures carry within them layers of theological, astrological, and philosophical significance that reward careful study. Unlike the more commonly encountered solitary form of Shani, this paired image speaks to a dimension of the deity that is often overlooked: his capacity for grace, compassion, and divine relationship. Shani Bhagavan: The Just and the Merciful Shani is one of the Navagrahas, the nine celestial bodies whose movements are believed in Hindu tradition to govern the unfold...